'I-Testament' was one of the hottest selling albums on the market.

The derivation of its name is from the fact that it protrudes some of the highest messages of the natural aspects of life. It features 16 tracks, a few of which are produced by some the top producers in Jamaica like Sly and Robbie. It varies from hardcore dancehall to hip-hop with a touch of R&B.

Marion Hall aka Lady Saw, voted First Lady of Dancehall, was born in a small village in St. Mary, Jamaica.

As a lot of other Jamaican artists Lady Saw started her carreer on local sound systems. This is a good school if one wants to prepare for eventual recording sessions. The Jamaican recording industry is a hard one, and it's of great importance for you to have your act together once you enter in the recording studio.

With over a 100 dancehall releases in his growing catalog, Lion built a reputation as an undeniable underground force to be reckoned with.

But it wasn’t until he met KRS-ONE in Super Power Records in 1991, would the true premeditated musical vision of MADLION birth.

The pair clicked immediately and shortly thereafter, Lion conquered, seized and marked his territory with his now classic, controversial club banger "Shoot to Kill". He followed with gold-selling smash "Take it Easy" a 1994 hit off the Real Ting album released in 95 which spanned other chart toppers, including "Own Destiny" "Double Trouble" and "Real Ting".

It’s 2004, and reggae dancehall has finally emerged from its decades-long spell in the music underground. Next up in the world spotlight is MOBO Award-winner, Mr. Vegas, a frontline Jamaican dancehall star with a dazzling flow.

It’s the unexpectedness of the Vegas sound you notice first – the way he drives his exquisite tenor over a jumped up riddim track, then thins out the notes with a deejay’s [reggae rapper] rhythmic precision. In dancehall parlance, Mr. Vegas is a "singjay" – working the borderline between singer and rapper.

Following the legacy of the late singjay legend Tenor Saw, Vegas brings together in his vocals the most appealing of reggae contradictions – delirious singing blended with hardcore rapping.

Shabba Ranks was arguably the most popular dancehall toaster in the world. He was a massive crossover success in the U.S., thanks to an openly commercial hybrid of reggae and hip-hop, and also to prominent duet partners like Maxi Priest, Johnny Gill, and KRS-One.

All of this brought him several hit singles and albums on the R&B charts in the early '90s, and made him the first dancehall artist to win a Grammy.

In 1997, Sizzla recorded the #1 album of the year "Black Woman & Child" for producer Bobby "Digital" Dixon. Before that he had previously recorded a album "Praise He Jah" for producer Phillip "Fattis" Burrel on the "Exterminator" label. Since then he has been recording hits after hits.

Because his continuity and versatility he has gained recognition throughout the world. Presently, Sizzla is one of the hottest performers in the music industry.

Sizzla has always been working hard touring and doing shows locally, but has always made time to return to the studio to continue his great work. This album "Good Ways" produced by Bobby "Digital" Dixon and his "Battalion" is another master piece of Sizzla's great work.